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去年得知將有德語版《西線無戰事》上映時,內心頗為期待。不過等到Netflix上架時,卻因俗務纏身而未能觀看。這幾天終於得閒,便一口氣看完。
然而,新版的《西線無戰事》,並沒有帶給我太多的感動。當然,從一些創新的場景來看,確實向觀眾傳達了「士兵只是犧牲品」的感受。例如,回收死者的衣服洗淨後,分發給新兵;戰爭中的戰死者,只不過就是軍籍牌的總和而已。
但新版卻沒有包默返鄉的場景,而這場景不論在小說或舊版中,都佔有重要地位。透過前線與後方的反差,襯托出同一場戰爭的多個荒謬。新版沒有這場景,只能和其他反戰電影一樣,從戰場本身帶出戰爭的可怖。
新版加入原著沒有的外交角度,以Erzberger這位德國政治人物,帶出德國尋求和平的過程。同時也有個應是虛構的高級將領,代表軍方觀點。
德法雙方在火車廂內談判的場景,個人覺得特別有趣。在互動中,可以看到法國福煦元帥堅定不容妥協的態度。搭配整個敘事脈絡,倒是讓一直在影視節目中代表正義的法軍,顯得顢頇無情。進而,你會了解到二十年後,德軍為何要一雪前恥了。
但這部分,似乎有違於原著雷馬克的本意。畢竟,雷馬可對於高層的政治外交,並無特別的著墨;雖然在書中描寫俄軍戰俘那橋段,他諷刺高層的一只命令,可以讓人互相屠殺,也可讓人言歸於好。
由此觀點,Netflix的《西線無戰事》,不單純是重製版,而是訴求德國曾追求和平,並非一昧嗜血,試圖洗去過往在影視作品中的負面印象。
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